Bradman Museum and Bradman Foundation. Excerpt from Indra Vikram Singh’s book ‘Don’s Century’

The Glebe wicket, where young Don had first shown his batting prowess, was transformed into Bowral Oval, and later named Sir Donald Bradman Memorial Oval. It is here at Bowral that the Bradman Museum stands. Sir Donald and Lady Jessie were present when the first stage of the museum was inaugurated in October 1989. This section is the pavilion, which comprises the clubhouse, dressing rooms and conference rooms.

Bradman noted, “In my eyes the Bradman Museum has been created to honour and strengthen the game of cricket and my name is merely a catalyst to give it birth and life. The museum complex is primarily for the youth of Australia. It is a symbol of what cricket has meant and will continue to mean to the people of our nation and cricket lovers everywhere. Without doubt the laws of cricket and the conduct of the game are a great example to the world. We should all be proud of this heritage.”

What Bradman was conveying to those who play, govern and watch this great game, was to respect it and carry it forward in its best tradition.

Seated in the dressing room of the Bradman Oval pavilion is a life-size figure of a batsman with his baggy green cap and pads on, legs stretched out and face cupped by his hands. It reveals “the mixed emotions of celebration and devastation, of players sharing those private moments.”

The museum itself, which is at times referred to as the Second Innings, opened in 1996. It encompasses three major display galleries, a special exhibition gallery, a hundred-seat auditorium, library, tea room and a children’s area. A gift shop sells Bradman memorabilia including silver pendants, key chains, cups with his autographed portrait, bats and balls. There is a special section showing the crafting of the bat from the willow, and the winding of several layers of twine around a cork core, encased in a red leather shell to form a cricket ball.

The history of cricket is captured in film footage, photographs and newspaper clippings. One can learn about the origin of the game, framing of the laws, the earliest reference in 1300 to a game of ‘Craiget’ played by Prince Edward II, formation of MCC in 1787, the legendary players, through to the modernisation of the game, night matches and commercialization.

The Bradman Foundation, which manages the Bradman Museum, conducts coaching clinics. The residential programmes for children combine other recreational activities so that the young ones enjoy new challenges in a relaxed and social setting. The Foundation provides scholarships, organises exhibitions and conducts matches.

Coinciding with the Sydney Olympics in the year 2000, an exhibition entitled ‘A Perfect Ten: Sporting Greats of the 20^th Century’ opened at the museum, recording the achievements of ten great sportspersons, Carl Lewis (athletics), Michael Jordan (basketball), Muhammad Ali (boxing), Don Bradman (cricket), Jack Nicklaus (golf), Nadia Comaneci (gymnastics), John Eales (rugby), Pele (soccer), Dawn Fraser (swimming) and Rod Laver (tennis).

To cite just one instance of the work of the Bradman Foundation, in 1997 the well-known artist Colin Joseph Dudley made a painting of H.S. Altham’s photograph of Bradman walking out to bat at the Melbourne Cricket Ground in the third Test of the 1936-37 Ashes series. It was entitled ‘Bradman’s Walk to Glory Limited Edition Masterpiece’. Each of the ninety-nine prints was autographed by The Don and priced at 20,000 Australian Dollars. The proceeds were shared by the Wheelchair Sports Association and the Bradman Foundation.

Bradman wrote, “This limited edition portrait was initiated as a reflection of my very high regard for the commitment and sporting skills of wheelchair athletes.”

Membership of the Bradman Foundation is open to everyone around the world for a nominal subscription of Aus $ 25 a year. Almost till his last days, Sir Donald religiously attended to business related to the Bradman Foundation, Bradman Museum and Bradman Collection at the State Library of South Australia.

(Author Indra Vikram Singh can be contacted on email singh_iv@hotmail.com).

Don’s Century

Published in India by Sporting Links

ISBN 978-81-901668-5-0

Fully illustrated

Paperback French Fold 11 x 8.5 x 0.4 inches

188 pages

Hundred years on, Bradman’s genius can still inspire. Flashback to birth centenary of Sir Donald Bradman

Article by Indra Vikram Singh published in The Indian Express 
on 27^th August 2008

On Don Bradman’s centenary, a fitting tribute is to assess his real greatness, moving beyond the mountains of statistics and records that are often used to highlight his achievements. Len Hutton wrote in his Fifty Years in Cricket: “It was fashionable to say that The Don was unorthodox, a law unto himself, and that his bat was not as straight as it ought to have been. But his movements were so right and so emphatic. To the straight good-length ball he would either go forward or back with precise judgement, never across the pitch, and at the crucial moment, his bat would be as straight as a Scotch fir.”

KS Duleepsinhji averred in Indian Cricketer Annual 1954: “Will there be another like him? I doubt it. His highly developed cricket sense helped him to make up his mind regarding the stroke in a split second, after the ball left the bowler's hand. With his large repertoire of strokes, he always found gaps in the field. The opponents always found eleven fielders too few. His fast rate of scoring gave bowlers plenty of time to dismiss their opponents. ‘Bradman is batting’ — at those magic words people would rush to the ground.”

Alec Bedser bowled to Bradman only after the war when the great man was past his prime, but still a run-getter beyond compare. He wrote in The Cricketer International: “My one regret was not to see him at his peak when, as the great Test umpire Frank Chester told me, fielders were wont to whistle with astonishment at the sheer brilliance and audacity of his stroke-play. One of his striking attributes was the way he made full use of the space from the popping crease to the stumps.”

Even during the Bodyline series when Bradman’s average ‘plummeted’ to 56.57, it was still the best for Australia, and second only to England's Eddie Paynter’s 61.33 who had two not outs in five innings. And Bradman scored at almost 40 runs an hour, hitting a hundred in one Test and half-centuries in the other three. Stan McCabe might have been the more aesthetic while dealing with the scourge of Bodyline, but Bradman was as effective, and certainly more prolific and consistent.

To dub The Don as merely a run-machine is simplistic because machines do not have minds. Among Bradman's several attributes was a very strong mind. In the 1936-37 Ashes series he was returning to the Test arena after a near-death experience, at the helm of a weak team that had lost several stalwarts. And England won the first two Tests. For most others it would have been too much to endure. But The Don did something, well, Bradmanesque. He scored 270, 212 and 169 in the remaining three Tests, winning all of them and retaining the crown. Nothing daunted him, and his story is so hugely inspirational as much for the massive odds he battled so successfully, as for the phenomenal number of runs he made.

Or let us fast forward to 1946-47, to the first series after the war. Unwell and ageing, he carved out 187 and 234 in the first two Tests, winning both, establishing ascendancy and breaking the English back. Maybe we can rewind to 1934, the first series after the Bodyline mayhem. Bradman was not in good health. He still got his customary double century in the opening match. Then, after a lean run in the first three Tests and the series precariously placed at 1-1, The Don scored 304 and 244 in the last two Tests, winning the final one and wresting the Ashes. That was character, a very tough mind and great skill, something far beyond the capability of any machine ever invented.

What was that one quality that made Don Bradman such a champion. The one most qualified to shed light was his wife Jessie: “More than anything, it was his single-mindedness; the ability to concentrate on any innings from the moment he woke up in the morning.” The key word here is focus. Let that remain the last word.

(Indra Vikram Singh’s book ‘Don’s Century’ was written in the year of Sir Donald Bradman’s centenary).

Don's Century
Published in India by Sporting Links

ISBN 978-81-901668-5-0

Fully illustrated

Paperback French Fold 11 x 8.5 x 0.4 inches

188 pages