One
of Bradman’s compatriots in the Australian middle-order through the 1930s was
Stan McCabe. He was every bit a top-class player, orthodox yet aggressive, and
one of the least heralded. His status was perhaps akin to V.V.S. Laxman of
modern times, ever the artist but forced to live in the shadows of the mighty
Sachin Tendulkar, the reliable Rahul Dravid, the delightful Sourav Ganguly and
the maverick Virender Sehwag. McCabe’s deeds were eclipsed by the prodigious
rungetting of Bradman and Ponsford.
Just
as Laxman’s memorable knocks against the world’s best team, Australia, notably
his astonishing 281 at Kolkata in 2001 will ever remain etched in the minds of
the public and critics alike, so have been brilliant innings of McCabe for over
70 years already. His courageous, defiant unbeaten 187 at Sydney
in the first Test of the 1932-33 Bodyline series was a terrific riposte under
daunting circumstances. Bradman did not play that Test due to his dispute with
the Australian Board of Control. As McCabe stood up boldly to the short-pitched
stuff and hooked it disdainfully, critics concluded that he handled Douglas
Jardine’s abominable leg-theory with greater finesse than Bradman. Learie
Constantine in his The Young Cricketer’s
Companion wrote: “When Larwood went to Australia and tied Bradman and most
of the rest of them in sheep bends and clove hitches and made some batsmen drop
their bats and others sit on their wickets, it was McCabe who improvised a
daring hook to the leg boundary and made a brilliant century against bodyline
as he has done against most other kinds of bowling without the least
favouritism.”
If
his display at Sydney revealed a tough mind,
McCabe’s performance at high altitude at Johannesburg ’s
Old Wanderers in 1935-36 was a triumph of skill over limitations imposed by
physical distress. With Australia at 85 for one, chasing another 314 for a win
on the fourth and final day, McCabe, short of breath as a result of the
rarefied air, and bleary of eye for the sleepless night he had spent, was in no
condition to bat. He informed Vic Richardson of his discomfort. The skipper, in
no position to oblige, urged his star batsman - Bradman could not join the tour
- to continue his innings, then anchored at 59: “If the altitude gets to you,
don’t run. Just hit fours.”
Left
with no option, McCabe breezed out to the crease with the other not out, Jack
Fingleton. Deliveries leapt and turned square on the dusty wearing track, but
McCabe’s elegant shots found the gaps time and time again. He raised his
hundred in 91 minutes, fourth quickest at the time after the feats of Jack
Gregory (70 minutes in 1921-22 at this very venue), Gilbert Jessop (75 minutes
in 1902) and James Sinclair (80 minutes in 1902-03). He clocked up an exact 100
before lunch, carving out 20 boundaries. Australia now needed 182 runs to
win in two full sessions. Fingleton offered a broad blade and when he was
castled for 40, the partnership was worth 177, of which McCabe’s share was 148.
Fingleton recalled, “McCabe’s innings seemed like a crazy dream to me.”
As
the thunderclouds drifted in from the northwest, the South African captain
Herbert Wade appealed against the light on the plea that McCabe’s ferocious
strokeplay was endangering his fielders! It was still only 2.45 in the
afternoon and soon the heavens opened up with McCabe on 189, and Australia
poised at 274 for two.
Ray
Robinson wrote in Between the Wickets:
“McCabe’s brilliance had so transformed the situation that, instead of
struggling to stall off defeat, the Australians were playing like winners with
125 more to get and eight wickets in hand. He had batted three and a quarter
hours for his 189, while 66 were scored at the other end. He hit 29 4s,
probably a record for a Test innings under 200.” He was indeed following his
skipper’s instructions to a tee, and in the process South African Dudley
Nourse’s second innings 231 was forgotten.
The
third signature McCabe knock was at Trent
Bridge in 1938, marked by
exquisite strokeplay. He came to the crease at the fall of Bradman’s wicket. It
was a breathtaking innings of 232 in only 230 minutes, during which eight of
his partners departed, having managed a mere 68 all told, extras included. The
next highest was Bradman’s 51. It was then the second-fastest double century in
223 minutes, after Bradman’s (in 214 minutes in 1930), and a shade quicker than
Trumper’s (226 minutes in 1910-11). Vic Marks noted: “The wicket was a lot
easier than the time Jessop turned the tide, but McCabe’s strokeplay was purer
with scarcely a hint of risk, and accompanied by masterly manipulation of the
strike.” So awesome was the strokemaking that Bradman summoned his players -
some of whom were playing cards - to the balcony, telling them: “You won’t see
strokeplay like this again. McCabe hit 72 out of the last-wicket stand of 77
with Fleetwood-Smith in a matter of 28 minutes.”
The
full significance of the innings was elaborated by Denzil Batchelor, when he
observed: “McCabe had done a unique thing. Many men have won matches off their
own bat. On this wicket, and with England ’s skyscraping score, such a
feat was not possible - so McCabe had done more. He had come in at a moment in
history when it seemed certain that the sun was about to set on a long period
in Australian ascendancy. McCabe, by his own efforts, had stopped the sun, and
saved the Australian empire.” The series was ultimately drawn 1-1.
Nicknamed
‘Napper’ for his striking resemblance to Napolean, he rekindled nostalgia for
the strokeplay of Trumper and Macartney. As Ken Piesse wrote, “Impeccable
footwork and his indomitable spirit in adversity made him one of Australia ’s
true greats.”
McCabe made 2748 runs in 39 Tests at an average of 48.21 with 6 hundreds, and he scored at a very rapid rate. When he died in 1968 at the age of 58 after falling from a cliff in Sydney , the game lost one of its most popular figures.
(Author Indra Vikram Singh can be contacted on email singh_iv@hotmail.com).
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